{"id":3442,"date":"2008-07-01T16:36:51","date_gmt":"2008-07-01T15:36:51","guid":{"rendered":"http:\/\/tiago.pinhal.com\/blogue\/?p=3442"},"modified":"2008-07-01T16:36:51","modified_gmt":"2008-07-01T15:36:51","slug":"bob-dylan-optimus-alive","status":"publish","type":"post","link":"https:\/\/tiago.pinhal.com\/blogue\/bob-dylan-optimus-alive\/","title":{"rendered":"Bob Dylan – Optimus Alive"},"content":{"rendered":"

Ao tentar perceber o que poder\u00e1 ser o pr\u00f3ximo concerto de Bob Dylan em Portugal, no Optimus Alive, chego \u00e0 conclus\u00e3o de que pode ser tudo menos previs\u00edvel. Em Junho Bob Dylan deu 19 concertos e nenhum teve o mesmo alinhamento. Cada um dos concertos teve 18 m\u00fasicas (um teve 19, mas foi resultado de um anivers\u00e1rio) e no total cantou 60. S\u00f3 duas m\u00fasicas aparecem em todos os concertos (Highway 61 Revisited<\/em> e Thunder On The Mountain<\/em>).
\nAqui fica uma listagem da m\u00fasicas e do n\u00famero de vezes que apareceram nos alinhamentos dos concertos.<\/p>\n\n<\/col>\n<\/col>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Highway 61 Revisited (Bob on keyboard)<\/td>\n19<\/td>\n<\/tr>\n
Thunder On The Mountain<\/td>\n19<\/td>\n<\/tr>\n
Summer Days (Bob on keyboard)<\/td>\n17<\/td>\n<\/tr>\n
The Levee’s Gonna Break<\/td>\n13<\/td>\n<\/tr>\n
It’s Alright, Ma (I’m Only Bleeding)<\/td>\n12<\/td>\n<\/tr>\n
Rollin’ And Tumblin’<\/td>\n12<\/td>\n<\/tr>\n
High Water (For Charlie Patton)<\/td>\n11<\/td>\n<\/tr>\n
Just Like A Woman (Bob on keyboard and harp)<\/td>\n11<\/td>\n<\/tr>\n
Like A Rolling Stone (Bob on keyboard) <\/span><\/td>\n11<\/td>\n<\/tr>\n
All Along The Watchtower<\/td>\n10<\/td>\n<\/tr>\n
Beyond The Horizon<\/td>\n10<\/td>\n<\/tr>\n
Honest With Me (Bob on keyboard)<\/td>\n10<\/td>\n<\/tr>\n
Tangled Up In Blue<\/td>\n10<\/td>\n<\/tr>\n
Ain’t Talkin’ (Bob on keyboard)<\/td>\n9<\/td>\n<\/tr>\n
Ballad Of A Thin Man (Bob on keyboard and harp)<\/td>\n8<\/td>\n<\/tr>\n
Nettie Moore (Bob on keyboard)<\/td>\n8<\/td>\n<\/tr>\n
Spirit On The Water<\/td>\n7<\/td>\n<\/tr>\n
Things Have Changed (Bob on keyboard)<\/td>\n7<\/td>\n<\/tr>\n
Blowin’ In The Wind<\/td>\n6<\/td>\n<\/tr>\n
Lay, Lady, Lay (Bob on keyboard and harp)<\/td>\n6<\/td>\n<\/tr>\n
Workingman’s Blues #2 (Bob on keyboard)<\/td>\n6<\/td>\n<\/tr>\n
Don’t Think Twice, It’s All Right<\/td>\n5<\/td>\n<\/tr>\n
Lonesome Day Blues (Bob on keyboard)<\/td>\n5<\/td>\n<\/tr>\n
Moonlight (Bob on keyboard and harp, Donnie on electric mandolin)<\/td>\n5<\/td>\n<\/tr>\n
Stuck Inside Of Mobile With The Memphis Blues Again<\/td>\n5<\/td>\n<\/tr>\n
Sugar Baby<\/td>\n5<\/td>\n<\/tr>\n
Watching The River Flow (Bob on keyboard and harp)<\/td>\n5<\/td>\n<\/tr>\n
A Hard Rain’s A-Gonna Fall (Bob on keyboard)<\/td>\n4<\/td>\n<\/tr>\n
Cat’s In The Well (Bob on keyboard)<\/td>\n4<\/td>\n<\/tr>\n
Leopard-Skin Pill-Box Hat (Bob on keyboard)<\/td>\n4<\/td>\n<\/tr>\n
Love Minus Zero\/No Limit (Bob on keyboard and harp)<\/td>\n4<\/td>\n<\/tr>\n
Positively 4th Street<\/td>\n4<\/td>\n<\/tr>\n
When The Deal Goes Down (Bob on keyboard)<\/td>\n4<\/td>\n<\/tr>\n
Desolation Row<\/td>\n3<\/td>\n<\/tr>\n
Girl Of The North Country<\/td>\n3<\/td>\n<\/tr>\n
If You See Her, Say Hello (Bob on keyboard and harp, Donnie on violin)<\/td>\n3<\/td>\n<\/tr>\n
John Brown (Bob on keyboard)<\/td>\n3<\/td>\n<\/tr>\n
Love Sick (Bob on keyboard)<\/td>\n3<\/td>\n<\/tr>\n
Rainy Day Women #12 & 35 (Bob on keyboard)<\/td>\n3<\/td>\n<\/tr>\n
Tryin’ To Get To Heaven (Bob on keyboard and harp, Donnie on pedal steel)<\/td>\n3<\/td>\n<\/tr>\n
Tweedle Dee & Tweedle Dum (Bob on keyboard)<\/td>\n3<\/td>\n<\/tr>\n
I’ll Be Your Baby Tonight (Bob on keyboard and harp)<\/td>\n2<\/td>\n<\/tr>\n
It Ain’t Me, Babe<\/td>\n2<\/td>\n<\/tr>\n
Masters Of War (Bob on keyboard)<\/td>\n2<\/td>\n<\/tr>\n
The Lonesome Death Of Hattie Carroll<\/td>\n2<\/td>\n<\/tr>\n
Visions Of Johanna<\/td>\n2<\/td>\n<\/tr>\n
Blind Willie McTell (Bob on keyboard, Donnie on banjo)<\/td>\n1<\/td>\n<\/tr>\n
Boots Of Spanish Leather (Bob on keyboard and harp, Donnie on violin)<\/td>\n1<\/td>\n<\/tr>\n
Cry A While (Bob on keyboard)<\/td>\n1<\/td>\n<\/tr>\n
Every Grain Of Sand (Bob on keyboard)<\/td>\n1<\/td>\n<\/tr>\n
Handy Dandy (Bob on keyboard) (first live performance)<\/td>\n1<\/td>\n<\/tr>\n
Happy Birthday (insturmental) (Bob on keyboard and harp) (Happy Birthday John)<\/td>\n1<\/td>\n<\/tr>\n
I Shall Be Released (Bob on keyboard and harp, Donnie on lap steel)<\/td>\n1<\/td>\n<\/tr>\n
Make You Feel My Love (Bob on keyboard and harp)<\/td>\n1<\/td>\n<\/tr>\n
Million Miles (Bob on keyboard and harp, Donnie on lap steel)<\/td>\n1<\/td>\n<\/tr>\n
Mississippi (Bob on keyboard)<\/td>\n1<\/td>\n<\/tr>\n
Moonlight<\/td>\n1<\/td>\n<\/tr>\n
Shelter From The Storm (Bob on keyboard)<\/td>\n1<\/td>\n<\/tr>\n
Simple Twist Of Fate<\/td>\n1<\/td>\n<\/tr>\n
‘Til I Fell In Love With You (Bob on keyboard and harp, Donnie on lap steel)<\/td>\n1<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Ao tentar perceber o que poder\u00e1 ser o pr\u00f3ximo concerto de Bob Dylan em Portugal, no Optimus Alive, chego \u00e0 conclus\u00e3o de que pode ser tudo menos previs\u00edvel. Em Junho Bob Dylan deu 19 concertos e nenhum teve o mesmo alinhamento. Cada um dos concertos teve 18 m\u00fasicas (um teve 19, mas foi resultado de […]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[112],"class_list":["post-3442","post","type-post","status-publish","format-standard","hentry","category-arrecadacao","tag-bob-dylan"],"_links":{"self":[{"href":"https:\/\/tiago.pinhal.com\/blogue\/wp-json\/wp\/v2\/posts\/3442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tiago.pinhal.com\/blogue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tiago.pinhal.com\/blogue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tiago.pinhal.com\/blogue\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/tiago.pinhal.com\/blogue\/wp-json\/wp\/v2\/comments?post=3442"}],"version-history":[{"count":0,"href":"https:\/\/tiago.pinhal.com\/blogue\/wp-json\/wp\/v2\/posts\/3442\/revisions"}],"wp:attachment":[{"href":"https:\/\/tiago.pinhal.com\/blogue\/wp-json\/wp\/v2\/media?parent=3442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tiago.pinhal.com\/blogue\/wp-json\/wp\/v2\/categories?post=3442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tiago.pinhal.com\/blogue\/wp-json\/wp\/v2\/tags?post=3442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}